Every song the Beatles recorded layered on top of one another and played at the same time. Messy and fascinating.
Elizabeth Kolbert’s New Yorker story about Svante Paabo’s quest to sequence the Neanderthal genome contains a theory about why humans travel and seek the unknown. Kolbert notes that the archeological record shows Neanderthals’ migration stopped “when they reached water or some other significant obstacle,” while “archaic humans” pushed past those barriers, across open water and beyond. Paabo, writes Kolbert, seeks to “identify the basis for this ‘madness’ by comparing Neanderthal and human DNA.”
It’s only modern humans who start this thing of venturing out on the ocean where you don’t see land. Part of that is technology, of course; you have to have ships to do it. But there is also, I like to think or say, some madness there. You know? How many people must have sailed out and vanished on the Pacific before you found Easter Island? I mean, it’s ridiculous. And why do you do that? Is it for the glory? For immortality? For curiosity? And now we go to Mars. We never stop.
This Sound Opinions episode, with Jim DeRogatis and Greg Kot playing their favorite musical duets, reminded me of Joshua Wolf Shenk’s terrific Slate story about the magic of creative partnerships, particularly the Lennon-McCartney combo.
Kot puts Simon and Garfunkel’s “The Only Living Boy in New York” high on his list of great duets. Solid pick.
We posted a roundup of all the great things our contributors accomplished beyond World Hum while we had our quiet time. Inspiring. Congrats, everyone!